Ply Magazine - The Magazine for Handspinners

Autumn 2026: The Sericulture Issue 

This issue explores a lustrous and versatile fiber: silk. Typically we think of silk as shiny and strong, and it definitely can be that, but there is so much more to this fiber, and this issue does a deep dive into all the different types of silk that can be used for spinning as well as the different preps you can find for silk. 

We start off with a silk spinning primer from Coleen Nimetz to give you a foundation for working with this fiber, Michael Kelson explores different silks in top form, and Amelia Read Garripoli talks about spindle selection for silk spinning. Sprinkled throughout the issue are photos of silk in various forms and drafts, from top to cocoons to lap to mawata. 

Articles explore blending silk with other fibers, looking at different blending tools and the percentages of silk in blends. You’ll also learn about spinning silk for drape, for elasticity, and for luster; about dyeing silk with both acid dyes and natural dyes; and about how different finishing methods affect silk yarns. 

And the issue wouldn’t be complete without explorations into the history of silk, from China to reeling with a Zaguri to recreating a Viking tablet-woven band to how silk has been used in the medical field. And Michael Cook shares his personal history with this Queen of Fibers. 

Whether you’re experienced with spinning silk or you’ve never spun silk before, you don’t want to miss this issue! 

Summer 2026: Purpose

This issue looks at all the ways you can spin with a purpose. Although spinning up a gorgeous skein of yarn seems like a project in and of itself, ultimately most handspun yarn is used to create something else. The contributors explore how to spin with a purpose in mind, how to decide on a purpose for yarn that’s already been spun, and various ways to use handspun yarn.

Want to know what you should think about when you’re planning a yarn for a specific purpose? You’ll find articles on how the choices you make affect the yarn, how to use various levels of sampling to get the yarn you want, and how to plan yarns for projects you intend to give to someone as a gift. And we can’t forget about planning yarns that will be friendly on our hands, both during spinning and for the intended use.

What about planning for specific crafts? Kira Dulaney does a deep dive on spinning yarns for crochet, going behind the question of twist direction to explore the effects of other yarn characteristics of various crochet stitches. A pair of articles explore different aspects of twist for weaving yarns. Other articles discuss spinning yarns for embroidery and crewelwork, and one article tackles spinning yarns for flatbed knitting machines.

If you’ve wondered how to spin a yarn that will work for an assigned pooling project, Carissa Browning has all the details, as well as a pair of cowls, one knit and one crochet, that use the assigned pooling technique. And Christopher Kale explains how to make an embroidered needle book using handspun silk embroidery thread.

The issue also looks at the idea of repurposing: using scraps for spinning projects and repurposing yarn from commercial garments, which might need some additional processing or spinning before you work with it. You’ll also find articles exploring historical fiber crafts, the spinning culture in the mountains of Crete, spinning as part of a competition, and what to do at a fleece sale.

Don’t miss out on this extremely useful and purposeful issue!